fit issues

Our Yellowest Shoes

SebastianFullLocation: L’Arc-en-Ciel, Winterfall

“Jeeves,” I said.

“Sir?” said Jeeves. He had been clearing away the breakfast things, but at the sound of the young master’s voice cheesed it courteously.

“You were absolutely right about the weather. It is a juicy morning.”

“Decidedly, sir.”

“Spring and all that.”

“Yes, sir.”

“In the spring, Jeeves, a livelier iris gleams upon the burnished dove.”

“So I have been informed, sir.”

“Right ho! Then bring me my whangee, my yellowest shoes, and the old green Homburg. I’m going into the Park to do pastoral dances.”

It’s a bit early for pastoral dances in the park, unless one has been where we have been lately. Thoughts of spring intrude in situ, while much of the northern hemisphere is still shoveling snow. But, there we are. 

We’ve often wondered about this “yellow shoe” business that Mr. Wooster refers to in this passage. Was it really a true and unapologetic yellow, or was it what might be termed ‘tan’? A lighter shade of tan that approximates a pale brown that can be read as ‘yellow’, but still not blatantly yellow, if you know what we mean. We’re having a difficult time finding period illustrations or samples of truly yellow shoes, so have to assume that by “yellow,” our Bertie might mean something more like the following:

florsheim20s

1356043283_IMPERIAL_-_Cola_Tan_Polished_Calf_Leather_Mens_Brogue_Shoe

yellowtanshoe

shoesSlider_20

We also imagine these shoes in a perforated spectator style, a fashion that can be found in particularly dandy samples of spring/summer shoes for men in the 1920s and ‘30s. Unlike perforated broguing, these shoes would have had ventilation holes punched clear through a single layer of leather.

Sebastian1[1] The Sebastian shoe in “mustard” with perforated broguing. 

But in the interest of considering the other “yellow” possibilities, here are some additional options:

L&BFull[2] Our favorite brogued Oxford standby from Lapoint & Bastchild in the “cream” color option, which can read as yellow if one squints in the right light…

L&B1…but mostly reads as cream.

HaysurizaFull[3] The best option we’ve found for approximating what we’ve found in the period illustrations, from Haysuriza.

Haysuriza1

Whangee, by the way, is a bamboo grass with woody stems used to make things like canes, umbrella handles, handbag handles, cigarette holders. etc. We do not absolutely know what the “whangee” referred to above might be, but given that canes from whangee are commonly referred to as “whangees,” we’ll make a reasonable guess that Bertie is stepping out with a cane, rather than an umbrella on such a fine spring day. Alas, while there are canes in world, as have not discovered a whangee, specifically. 

chaplintrampMr. Chaplin with his crook-handled whangee, My Love of Old Hollywood

As for a green Homburg, we’d love one, although it might not be the best option for this particular suit. Our brown Homburg would be suitable, but we opted for the jauntier, perhaps a tad flashy, slouched fedora.

Suggested

Shoes [1] ~ Sebastian in mustard

Shoes [2] ~ Lapoint & Bastchild wingtip with single and two-tone options (includes HUD)

Shoes [3] ~ Haysuriza, Lace & Cap Consul in tan

Suit ~ FATEwear, Norton in “claypit”

Shirt & Tie ~ Hoorenbeek, Real Shirt, with print tie HUD added

Hat ~ Elysium Frankie boy hat, acquired through a past MenStuff Hunt, 

Dressed for [1] L$1915, [2] L$2139, [3] L$1900

Resources Consulted

“Jeeves in the Springtime”

Vintage Shoe Addict

Victorian? Edwardian? A little of Both? Something of Neither?

deadwoolGreenLocation ~ Britannia Village: London Ambiguity

Can we begin by just stating that we like this suit of clothes? Before we tear it to pieces? Yes, we do like this new offering from Deadwool (special price at The Mens Department, other colors available at the Deadwool tailor’s cabin), rather much, but like almost everything we find in world, it does have some issues that need to be addressed.

First, there are the usual crimes against period fashion, the most serious of which here is the tie hanging below the waistcoat. Without that, the pant waist might be able to pass for being high enough to be covered by said waistcoat.

Second, the era to which this garment is supposed to belong is a little ambiguous. The low, U-front, lapeled waistcoat was seen in men’s formal wear in the 20th century, but not in daywear lounges of the first half of the century. That and the tightness suggest, albeit imperfectly, the late Victorian period. However, for it to be properly late 19th century, the lapels of the jacket should be shorter, perhaps a bit wider, and the jacket should button up much higher — to mid-sternum, really.

Well, those are our criticisms. It’s not really suitable for the 1920s-1930s era fashions upon which we like to focus, but as we stated, we like the bally thing, regardless, and Bertie has been spotted in world wearing it. In fact, numerous men have been spotted in world wearing it. The place is fairly lousy with chappies decked out in this suit.

Below we’ve paired it with Motiame’s “chesterfield,” which is close enough to a proper Chesterfield to not quibble with the naming too much, although one might consider it a covert.

deadwool&chesterfield

Suggested

Suit ~ Deadwool @ TMD, the Dandy in green, jacket and pants sold separately

Boots ~ Hoorenbeek, Ray Ray

Hat ~ Hyacinthe Luynes, Homburg brown 

Coat ~ Motiame @ TMD, Chesterfield

Dressed for L$1215, L$1465 with coat

An Early 1920s Possibility

aphorism1[1] Location ~ Britannia Village: London Ambiguity

Fighting the madding crowd at The Mens Department, we almost didn’t give this suit a second glance. Upon consideration, however, we have determined that it is not a bad option for effecting an early 1920s aesthetic. The jacket could be looser and longer, but, well, there you are.

We do find the tremendous cuffs, though adding an interesting contemporary style element, not quite the thing for our early 20th century sensibilities…

aphorcuffs

…but we will overlook that one issue.

We also find that this suit works fairly well for a Peaky Blinders sort of look, if one wishes to go for that.

peakyaphor[2]

Suggested

Suit ~ Aphorism, Vintage Crew @ TMD

Tie [1] ~ Adjunct, Classic Bowtie, candy stripes

Hat [1] ~ Hyacinthe Luynes, Homburg grey 

Cap [2] ~ Argrace Hunting with “Very short” hair in light brown, color-change cap

Shoes [1] ~ Lapoint & Bastchild wingtip with single and two-tone options (includes HUD)

Boots [2] ~ Brii, casual military boots, black

Dressed for [1] L$1294 & [2] L$718

J.C. Leyendecker & Kuppenheimer’s Double-Breasted Suit

KuppenheimerDoubeBreastedNotations
J.C. Leyendecker, Kuppenheimer 40, circa 1925

In order to spark some late winter inspiration, we have been perusing the fashion illustrations of J.C. Leyendecker (1874-1951), a prolific, German-born, American illustrator active in the first half of the 20th century, and well known for his Saturday Evening Post covers, illustrations for the House of Kuppenheimer and decanting the Arrow Collar Man into the public consciousness. A (probably) gay man, he was instrumental in presenting an image of the ‘Perfect American Male’ — lean, strong, decidedly beautiful and with something of a ‘homo-erotic’ air about him — that set the bar for the illustration of men’s fashions from before WW I up through the 1940s. The 1920s marked the decided apex of his career. 

A word to in-world clothing content creators — if you want guidelines for creating period-realistic clothing for men, especially from about 1910 through the 1920s,  you would do well to study the illustrations of Joe Leyendecker. For our part, we are attempting to replicate some of the Kuppenheimer styles he captured in advertisements, with what we can find available. Without the solid foundation of accurately detailed content, however, it is a struggle. 

kuppenheimerdouble1[1] The Hoorenbeek double breasted suit. The lapels are too narrow, the top buttons too off-set, unless one is going for a 1930s style, but the narrow and long lapels kill that, and the drop is not exaggerated enough (‘drop’ referring to the waist to shoulder ratio; a pronounced drop means a significantly larger shoulder/chest breadth than the waist).

kuppenheimerdouble2[2] The same Hoorenbeek suit in a different light worn with accompanying tie, suggesting a broad Windsor or half-Windsor knot, too thick for anything before about 1936. 

Suggested

Suit ~ Hoorenbeek in beige

Shirt + Tie [1] ~ Hoorenbeek, Real Shirt, with print tie HUD added

Hat [2] ~ Hyacinthe Luynes, Homburg brown 

Shoes ~ Lapoint & Bastchild wingtip with single and two-tone options (includes HUD)

Location ~ St. John

Dressed for [1] L$1979 and [2] L$1234

Resources Consulted

Collectors Weekly — Before Rockwell, a Gay Artist Defined the Perfect American Male

JVJ Illustrators — Leyendecker

National Museum of American Illustration — J.C. Leyendecker: American Imagist

Peaky Blinders

pinky1Location: Neva Sky Villi

In the interest of appealing to a more economically modest set of characters, Mr. Wooster is today modeling a Peaky Blinders sort of aesthetic. We have not actually seen this television show, but understand that it does for the English underground economy set what Boardwalk Empire did for the American. This program, in contrast, is set in the English Midlands — the Small Heath section of Birmingham, to be exact — in the late teens and early 1920s, and is appropriately grey and gritty and coal-smokey in a way that Boardwalk generally was not. That is what we surmise from stills of the production, in any case. 

peaky-blinders-castPeaky Blinders cast, penny collars, cropped trousers, sturdy boots and all

An article in the Telegraph described in some detail the post-first World War style that marked the era, class and, consequently, the costuming on the program. There are few perfect solutions in world to affecting this look, naturally. The Deadwool penny collar shirt is hindered in its flexibility by not coming in a version that can be easily worn under jackets. The shirting poking out through the jacket fabric on the arms isn’t visible in the above photograph, only because of the way the shot is set up. How difficult would it be for the Deadwool maker to add some chest-only versions of this shirt to be worn under jackets, as Kauna and Hoorenbeek do with theirs? Surely not so very, what?

pinky2Note that the Deadwool shirt has suspenders as part of the graphic, and it is designed to go with a ‘gunslinger’ type trouser with a gun tie on the thigh. Wearing it with this trouser, our favorite at capturing an interwar aesthetic, necessitates a waistcoat. Otherwise, one is captured committing the redundancy of both suspenders and a belt. 

pinky3

Suggested

Jacket ~from the Kauna XIV suit. Tweed Twill Grey

Shirt ~ Deadwool, round collar shirt

Waistcoat ~ Kauna XIV in black

Trousers ~ Bastard, casual baggy in steel

Cap + Hair ~ Argrace Hunting “Very short” in light brown, color-change cap

Tie ~ W Bow Tie, striped fabrics @ SL Marketplace

Boots ~ Brii, casual military boots, black

Dressed for L$1924

Resources Consulted

The Telegraph — Your Winter Wardrobe, Peaky Blinders Style

Evening Wear

“Do you dress for dinner every night, Bertie?”

“Jeeves,” I said coldly. The man was still standing like a statue by the door. “How many suits of evening clothes have I?”

“We have three suits full of evening dress, sir; two dinner jackets—-“

“Three.”

“For practical purposes two only, sir. If you remember we cannot wear the third. We have also seven white waistcoats.”

“And shirts?”

“Four dozen, sir.”

“And white ties?”

“The first two shallow shelves in the chest of drawers are completely filled with our white ties, sir.”

I turned to Rocky.

“You see?”

One could write tomes about men’s evening dress. There’s one of those website thingummies devoted solely to the subject, in fact, and much of our information is gleaned from that source. A link can be found below, so we won’t bother to rewrite the whole thing. Rather, we’ll present some options from virtual clothiers that would be suitable for our interwar period evening rambles. 

The gentleman’s tuxedo, really a 20th century invention, comes in a seemingly limited range of options that wouldn’t have appeared to have changed radically over the decades. But the devil is in the details, as they say. The cuts, fingertip or shorter; the lapels, peaked or shawl; the issue of waistcoat vs. cummerbund; double breasted waistcoat or single; U-shaped waistcoat front or V; straight-bottomed waistcoat or angular (pointed or curved); black tie or white; midnight blue or black; white dinner jacket or solid black; military dress mess style jacket, lounge or reefer … Yes, we could write tomes. 

Some of these things one would be more likely to encounter in photographs and fashion illustrations of the era than others. The white mess, for example, had a moment in the sun — quite literally, as it was considered only suitable for summer or warm-weather resort wear — for a relatively brief period. Perhaps that it why it is impossible to find in world. Fashion illustrations also indicate fairly narrow ankles on trousers; you can spot a tuxedo of the 1920s quite readily by the tapered, almost peg-leg silhouette of the trouser, which may be surprising given the penchant for a wider leg trouser through the interwar period, in general. 

But, before we end up writing tomes by way of an introduction, let’s just get down to our sampling, shall we?

LYZ, Getz Men’s Evening Suit

lyztux

What we like: the U-shaped waistcoat, a rare find in world and out. The suit comes in combinations of black with one other color, but we recommend choosing the black/blue option, as midnight blue evening clothes are period appropriate. The blue is a little too vivid to be “midnight,” but there it is. We are not mad about the striped waistcoat, and would have been happier with solid black or white, and we are very unhappy, indeed, with the gap between waistcoat and trouser waist, but we are sufficiently appreciative of the rarity of the U-shaped front to recommend this option. It is also relatively affordable.

L$480

Hoorenbeek, Tailcoat Suit

Kaunatails

What we like: A white waistcoat and white tie, to say nothing of the fact the the waistcoat and trouser fully cover the shirt front. We should point out that the waistcoat coming below the bottom of the jacket is a problem, and the trouser leg is far too wide at the ankle, but there we are. White waistcoats can be and are worn with black tie in period appropriate dress, but in world it is difficult to find white waistcoats with interchangeable tie options. This ensemble with tails is for rather more formal evening occasions. We know that you’re thinking — all evening dress is “formal,” but there you would be wrong. Evening occasions at which the tuxedo or other evening dress might be worn ranged from a raucous night with the boys at the club, to a ball in season with presentations to royalty involved. One does not dress the same at the one as the other. This suit is suitable for only the most formal occasions.

L$980

Hoorenbeek, Townsend

Hoorenbeek-peaked-lapels

What we like: The nicely peaked lapel. So many lapels we see in world are essentially shawl cut, but with notches. We say one or the other, please. Either make it shawled, or give the notched collar a substantial peak. We also appreciate that the waistcoat, though not deeply enough cut in the V, does cover the waist of the trouser.

L$960

SF Design, Godfather Suit

godfathertux

What we like: The longer cut on the jacket, the waistcoat covers the top of the trouser, the black studs for buttons. The shawl lapel on the waistcoat is quite period appropriate, too, and we appreciate the color-change buttonnier included in the ensemble. There is, however, very little flexibility with this suit. None, in fact. It is all of one piece.

L$600

Kauna, Tuxedo, Classic Black

kaunatux

What we like: We like most things by Kauna, even if we have some quibbles with the overall tight cut. The quality is top drawer, however. We would wish for a suitable waistcoat option in black and white. There is a black waistcoat one could purchase and wear with this, but it looks like a daywear waistcoat and is somewhat jarring when paired with the tuxedo. Instead, one is left with the cummerbund option, and that was fairly exclusively worn in summer or as part of warm weather resort dress and/or more informal evening occasions. One would not see cummerbunds and white tie and tails at the same event.

L$896

Kauna, Tuxedo, Classic Cream

white-dinenr

What we like: The white dinner jacket option. It should be noted that one can purchase the Classic Black version, and supplement it with a separately purchased cream or white dinner jacket, rather than buying two full sets of evening dress. We should note that stark white is not something one would see in a natural fiber, wool or silk taking on a yellowish tinge over time, therefore a cream jacket is more period appropriate and considered today a mark of higher quality and refined taste over one in white. The white dinner jacket is reserved for less formal occasions, and at the time, was considered summer or resort wear.

L$896 — or the jacket on its own to supplement the classic black is L$329

Other things to consider — in period fashion illustrations, particularly from the 1930s, ’40s and ’50s, we’ve seen quite colorful options for the jacket in velvet “housecoat” or silk “smoking jacket” variations. These would have been appropriate for informal dinners at home, not for a night out on the tiles. 

Location: The Outer Garden, Calm Beach

Resources Consulted

The Black Tie Guide

Carry On, Jeeves — “The Aunt and the Sluggard”

Thoughts on Casual Wear

TweedyLocation: Frisland

We’ve come to the conclusion today that perhaps the most challenging part of dressing the part is when we wish to dress down. Gentlemen of the early 20th century would wear some variation of the lounge suit on any and all occasions, on any and all days of the week. That said, sportswear came into its own in the interwar period. A man of Mr. Wooster’s class would have his golfing plus fours worn with a jumper and jaunty tam-o-shanter hat; his tennis whites; his cricket whites; his hiking, fishing and shooting kits.

But even if not a particularly sporty chap, a fellow would certainly don on a lazy Saturday spent at home, especially in the country, a comfortable jumper over his shirt and tie, and a relaxed pair of trousers in flannel or tweed, perhaps a gabardine or in the summer, a linen or linen blend. If of the younger, more adventuresome set, he might even wear a pair of Oxford bags, which came onto the scene among the more rebellious students at said school in 1924. Wooster, an Oxford man himself, might consider them, but at the cost of his valet staging a major rebellion of his own. Still, if we found them in world, we’d give them a spin around the flat.

bagsI mean to say, wow!

SL has some reasonable, if imperfect, suiting options and some really rather good evening wear, but casual ensembles appropriate to the era are largely up to the individual to piece together as well as he can. This has its positive aspects, if one enjoys the challenge and exercise of creative juices, but it can also be frustrating. Things don’t always work together so well in world. Pieces get all wobbly when one tries to pile them on top of other pieces. 

tweedy2

We built this look today around the desire to make some kind of use of a free hunt item coat, because, by gad, when we acquire a likely item for free, we want to make decent use of it. We’ve found, however, that we can easily lay out more green cabbage trying to make a free item work than we would purchasing a ready-to-wear ensemble. As our dear old mater used to say, there is no such thing as a free puppy.

Suggested

Shirt ~ Hoorenbeek, Real Shirt with colour change HUD

Tie ~ Hoorenbeek, mesh printed HUD

Knit vest ~ Kauna XIV in plain rust

Trousers ~ Bastard, herringbone tweed casual baggy

Coat ~ Tamiron Forge, Trench Coat in brown, past Men Only Hunt item

Hat ~ Quedra HD Design, free brown mesh fedora, tinted as desired

Shoes ~ Gabriel, wingtip in brown, past group gift

Hair ~ Action James (includes color change HUD and a plethora of color options)

Dress for L$1526, inclusive of hair. It should be noted that one gets a LOT of shirting and tie options for the price with the Hoorenbeek shirts.

Resources Consulted

Fashion Encyclopedia – Modern World 1919-1929

Mr. Wooster’s wish list

To all the haberdashers and tailors of Second Life, here are a few things that we gents wandering about in the first half of the 20th century would really like to see. We might consider this a running series, as more things come to us.

A tall, spearpoint collar, ideally detachable (in white) to pair with different shirtings, and perhaps even interchangeable with a round point collar, which was the fashion in the first 20 years, and still worn through the 1920s

collar1Darcy Clothing

Ties in fun deco patterns and mid-century graphics, somewhat short and wide-ish — too many skinny ties in world, if you ask us. These may be a bit on the too bold side, but it provides an idea of the general theme. One might consult the tie pictured above with the collar.

decotiesFrom the Dallas Vintage Shop

A high-waisted trouser, particularly one with a crisp crease, and not with a contemporary ‘hipster’ skinny fit. Men wore their trousers high and loose, although a close fit around the ankle — a pegged look — was apparent through much of the 1920s and into the ‘30s in formal wear.

RaftHighwaistedTrousersGeorge Raft, still from Night After Night, 1932

Jackets and sporting coats with a high, pinched-in waist and long cut.

Raft_Full SuitGeorge Raft, again, still from Night After Night, 1932

A Norfolk jacket.

Gelly Tweed Full Norfolk Jacket_jpgBookster Tailoring

Plus-fours. How can we be expected to show our faces on the links without them? Nice and billowy, please.

bobbyjonesBobby Jones

An Optimo-style Panama Hat — note the rolled crease down the center of the crown. What would make this really jolly in SL is to have a changeable colour on hat (white, cream, maybe even to cocoa) and ribbon to maximize styling options.

optimopanamaFrom the Panama Hat Company

A mesh boater with colour-change ribbon, maybe one of those HUD thingummies that allow a number of options, inclusive of stripes.

FredAstaireBoaterMr. Astair in his famous boater

We also wish we had the technical savvy and and artistic chops to create these ourselves, but our attempts would likely be rudimentary, at best, and not even close to our own standards.

The Trench Coat

trench1Location: 1920s Berlin Project

While most fashionable men’s coats in the 1920s were unbelted, double-breasted varieties and generally wool — occasionally fur, if the gentleman were a little on the vulgar side, if rolling in plenty of cabbage — the trench was decidedly a thing. The origins are a little obscure, but it was a standard military style of overcoat by the Boer War, and ubiquitous by the Great War. Pre-Great War tenches were longer, well past the knees, but the hem line moved north on some models during the War, possibly for very practical reasons (less of one’s kit to drag through the mud, don’t you know). We’ve never seen an old photograph or illustration of one quite this short, but this was a free hunt item, and for free, who’s going to complain? It’s close enough for a galloping horse, as they say in theater circles.

About the trousers — we have a bit of a problem here; the fit on these trousers is too narrow and there is no discernible crease. Men’s trousers in that era were fairly wide and the sharp, crisp crease was an important feature of the overall silhouette. It’s too bad, but just as it’s difficult to come by a really good period collar in SL, it’s difficult to get a good crease on one’s trousers. These look like they fell into the hands of Alistair Bingham-Reeves’ valet, an excrescence famous for pressing his employer’s trousers sideways.

Mr. Wooster has a decidedly Trevor Howard-in-The Third Man air about him here, and old Trevor would have only been a boy of about 10 or 11 years old in the mid-1920s. He didn’t come into his recognizable adult own with this look until some years later. The Third Man, as a matter of fact, came out in 1949.

third_callowayTrevor Howard still from The Third Man, 1949, moonboog.com

While a bit of an anachronism in some of the details, this is still a nice look and won’t get you tossed out on your ear from any interwar sim. Mr. Wooster, wandering the snowy streets of Berlin tonight, fits in just fine.

trenchscene1

trenchscene2

 

Suggested

Trenchcoat ~ Jana’s For Men, acquired at a past Menstuff Hunt for free

Trousers ~ Munereia, Carbeseu, former group gift

Shirt ~ Kauna XIV in white

Tie ~ Kauna Tuxedo XIV accessories: Hogwarts collection, Hufflepuff, free at the store

Hat ~ Elysium Frankie boy hat, acquired at a past Menstuff Hunt for free

Shoes ~ Coco, Oxford two-tone, past group gift

Mustache ~ Fe Style, 6ED in brown

Cigarette ~ Sinister Designs, cigarette sculpty v.3, from SL marketplace

Skin ~ Hermony, Leon

Eyes ~ Aveline mesh eyes in hazel, L$0@SL Marketplace 

Dressed for L$369

Resources Consulted

Gentleman’s Gazette — Trench Coat Guide

Jeeves and the Hard-Boiled Egg

Love to Know — Men’s Fashion in the 1920s

 

Suiting challenges

greysuit1Location: Black Hole, Britannia, London Ambiguity

Gents suitings, ah gents suitings. If one looks at the old fashion illustrations and in films from the late silent and early talkies era, one will notice that men’s sport coats and suit jackets were cut long, in some cases almost approaching mid-thigh. This Kauna suit that Mr. Wooster is modeling is among the better suits in all of SL; one cannot go wrong with a Kauna suit, generally speaking. That said, the lapel is not adequately peaked, being only just notched, and more than anything, the jacket is too short and too close-fitting. At the very least, the jacket’s too short for the ’20s; at the start of the decade, men’s jackets were fairly tight, but started to loosen up by mid-decade, laying the groundwork for the later extreme of the zoot suit. But early, mid or late in the decade, tighter or looser fit, the jackets were cut long. Mr. Arsenio Hall’s trademark suits of the 1980s were closer to a 1920s cut than that pictured here.

The contrasting plaid vest and a tie in a vivid shade of pink are spot on, however. Mr. Wooster, when living for a time in New York, acquired just such a pink tie, and struggled mightily with his valet over the subject.

The shirt was generally white, or perhaps striped, sometimes in some other color. Wooster, while on his own one day, gathered a collection of shirtings in a jolly mauve, so he would have worn such a thing if allowed to get away with it. His man absconded with the lot, however. He generally does not approve of Mr. Wooster’s taste for the colorful. Still, when in SL, our Bertram is able to sneak away from Jeeve’s sartorial oppression, and will take advantage of that from time to time.

As noted before, detachable collars on dress shirts were the norm and tend to be rather higher and longer than we see here — and almost invariably white, which gives us the patterned, striped or colored shirt with attached solid white collar we see today (and that was highly popular among the Wall Street set of the 1980s, another instance of men’s ’80s fashions giving nod to the 1920s). In fact, that trademark high, stiff collar would go a long way to making this suit look more like one of the interwar period.

Criticism aside, this look is generally suitable for early 20th century role play. We’ve seen gentlemen in Berlin wearing precisely this suit or one from Kauna in a different fabric. They look fine, don’t you know, and haven’t been given the boot for the way they dress.

Suggested

Suiting ~ Kauna XIV. Tweed Twill Grey (jacket & trousers worn)

Shirt ~ Kauna XIV in white

Tie ~ Kauna XIV accessories collection in coral

Waistcoat ~ Kauna XIV in Plaid Thistle

Hat ~ Elysium Frankie boy hat, acquired through the latest (now over) MenStuff Hunt

Hair ~ Action James (includes color change HUD and a plethora of color options)

Shoes ~ Lapoint & Bastchild wingtip with single and two-tone options (includes HUD)

Skin ~ Hermony, Leon

Eyes ~ Aveline mesh eyes in hazel, L$0@SL Marketplace 

Dressed for L$2200 (excluding skin, counting hair, although one could get away with a free hair base under the hat) 

Resources Consulted

The Black Tie Guide — Vintage shirts

Jeeves in the Springtime

Jeeves and the Unbidden Guest

Victoriana Magazine — Men in the 1920s