Are the Irish Particularly Flamboyant?

FlanboyantGreenLocation: Frisland [1]

That Wilde-ish cape thingummy yesterday put us right in the way of this rather too much suit at Bravura, but while the ensemble may be a bit don’t-you-know — and likely to give Jeeves the vapors — at 299 leaves of cabbage with multiple combination options, it seemed unwise to resist its flamboyant charms. As period costume, it is, of course, imperfect, but we are appreciating the decently wide and peaked lapel, if not the button placements.

Would our Bertie don this raiment while in Ireland? Given his relative anonymity in Éire, perhaps so. Especially if he sneaks over without his man, don’t you know.


As we noted, this suiting comes with several options for colors not just in the suit, itself, but for the waistcoat, shirt, tie and even awkward buttons.




Suit ~ Bravura, formal jacket and pants w/HUD (L$299)

Shoes [1] ~ Sebastian in mustard

Boots [2, 3]~  Hoorenbeek, Ray Ray

Hat [1, 2] ~ JfL, asymmetrical fedora in olive

Hat [3] ~ Couture Chapeau “Sleuth” fedora, brown

Dressed for L$724, L$1048 & L$1097, respectively



A Wilde Sort of Moment

wildeLocation: Dandelion

We are planning an excursion to Ireland for later in the year, and began to feel just a titch Wilde. Our gentleman’s personal gentleman does not fully approve, Mr. Wilde having been noted for a flamboyant manner of dress that he tries to steer our Bertie away from. Well, never mind that. Mr. Wooster would have this cape, valets be damned.


Cape ~ Bravura, houndstooth cloak in gold/black

Hat ~ JfL, asymmetrical fedora in olive

Suiting ~ Deadwool, the Dandy in green, jacket and pants sold separately

Boots ~ Hoorenbeek, Ray Ray

Dressed for L$1420

Victorian? Edwardian? A little of Both? Something of Neither?

deadwoolGreenLocation ~ Britannia Village: London Ambiguity

Can we begin by just stating that we like this suit of clothes? Before we tear it to pieces? Yes, we do like this new offering from Deadwool (special price at The Mens Department, other colors available at the Deadwool tailor’s cabin), rather much, but like almost everything we find in world, it does have some issues that need to be addressed.

First, there are the usual crimes against period fashion, the most serious of which here is the tie hanging below the waistcoat. Without that, the pant waist might be able to pass for being high enough to be covered by said waistcoat.

Second, the era to which this garment is supposed to belong is a little ambiguous. The low, U-front, lapeled waistcoat was seen in men’s formal wear in the 20th century, but not in daywear lounges of the first half of the century. That and the tightness suggest, albeit imperfectly, the late Victorian period. However, for it to be properly late 19th century, the lapels of the jacket should be shorter, perhaps a bit wider, and the jacket should button up much higher — to mid-sternum, really.

Well, those are our criticisms. It’s not really suitable for the 1920s-1930s era fashions upon which we like to focus, but as we stated, we like the bally thing, regardless, and Bertie has been spotted in world wearing it. In fact, numerous men have been spotted in world wearing it. The place is fairly lousy with chappies decked out in this suit.

Below we’ve paired it with Motiame’s “chesterfield,” which is close enough to a proper Chesterfield to not quibble with the naming too much, although one might consider it a covert.



Suit ~ Deadwool @ TMD, the Dandy in green, jacket and pants sold separately

Boots ~ Hoorenbeek, Ray Ray

Hat ~ Hyacinthe Luynes, Homburg brown 

Coat ~ Motiame @ TMD, Chesterfield

Dressed for L$1215, L$1465 with coat

The Cardigan, Part I

cardigan1Location: Basilique

The cardigan, we’ve been told, really came into its own via the influence of the Prince of Wales. Albert Edward, etc., that would be. Future Edward VII. From his earliest days in his sailor suit, he was quite the trend setter, and many of the styles we take for granted as the norm in the 1920s and beyond were set in motion as standards by that other Bertie.

Bertie, future Ed. Seventh, took to wearing a cardigan on the golf course, we understand. A pair of golfing plus fours would be grand with this, if such a thing existed in world, but perhaps not here in the Lago region of northern Italy where our Bertie, escutcheon of the Woosters, is sojourning for a spot of restorative mid-winter mild climate.


Cardigan ~ Fatal, Duover Cardigan in brown

Trousers ~ Asteria MensWear, Broderick pants, brown

Shirt ~ Kauna XIV in white striped

Tie ~ Adjunct, Classic Bow Tie, plaids collection

Cap ~ Argrace Hunting with “Very short” hair in light brown, color-change cap

Boots ~ Hoorenbeek, Ray Ray

Dressed for L$1519

Resources Consulted

Vintage Dancer — History of 1920s Men’s Sweaters, Pullovers, Cardigans

Not of Bertie’s Beautiful World, But Keeping It Real

OleEtzelLocation: 1920s Berlin Project. Avatar & Photographer: Ole Etzel

We are most appreciative of not feeling pressured to pull together a ‘look’ today. Many thanks to Ole Etzel, filmmaker (machinima, that would be) and Berlin institution, for sharing with us his own ‘look’.

There is much discussion in world about everyone wanting to be oofy, that is, posh. Well, yes, we should hardly find it surprising that when indulging in a fantasy, one might wish for accoutrements to which one might not otherwise have access. Bespoke suits, beaded gowns, and all that, what? But if engaging in a little virtual historical reenactment, one must acknowledge that not everyone was a Bright Young Thing or otherwise well into the cabbage. Most people were struggling at least a bit in the interwar period, and some were downright destitute. Some were, dare we say it, older than 30. We say huzzah for those souls who take up the mantle of depicting that reality.

We find it interesting that this ensemble pulled together by Herrn Etzel is more perfect in its period detailing than many of those found for a wealthy Mayfair butterfly of the era. We had earlier commented that pulling together a working (or poor or modest middle class) man’s look may be a bit challenging, but perhaps not as much as we thought.


Suit – Loki Mesh @ Escapades, Smart 3 Piece

Cane ~ Talevin’s Designs

Boots ~ Deco, mesh camp boots

Hat ~ Sculpties Up In Here, handknit flaphat

Scarf ~ Loki Mesh @ Escapades, Simple Scarf

Hair ~ Deco, Shifty in ash

Skin ~ KTG, Old Man

Dressed for L$1210, inclusive of skin 

Peaky Blinders

pinky1Location: Neva Sky Villi

In the interest of appealing to a more economically modest set of characters, Mr. Wooster is today modeling a Peaky Blinders sort of aesthetic. We have not actually seen this television show, but understand that it does for the English underground economy set what Boardwalk Empire did for the American. This program, in contrast, is set in the English Midlands — the Small Heath section of Birmingham, to be exact — in the late teens and early 1920s, and is appropriately grey and gritty and coal-smokey in a way that Boardwalk generally was not. That is what we surmise from stills of the production, in any case. 

peaky-blinders-castPeaky Blinders cast, penny collars, cropped trousers, sturdy boots and all

An article in the Telegraph described in some detail the post-first World War style that marked the era, class and, consequently, the costuming on the program. There are few perfect solutions in world to affecting this look, naturally. The Deadwool penny collar shirt is hindered in its flexibility by not coming in a version that can be easily worn under jackets. The shirting poking out through the jacket fabric on the arms isn’t visible in the above photograph, only because of the way the shot is set up. How difficult would it be for the Deadwool maker to add some chest-only versions of this shirt to be worn under jackets, as Kauna and Hoorenbeek do with theirs? Surely not so very, what?

pinky2Note that the Deadwool shirt has suspenders as part of the graphic, and it is designed to go with a ‘gunslinger’ type trouser with a gun tie on the thigh. Wearing it with this trouser, our favorite at capturing an interwar aesthetic, necessitates a waistcoat. Otherwise, one is captured committing the redundancy of both suspenders and a belt. 



Jacket ~from the Kauna XIV suit. Tweed Twill Grey

Shirt ~ Deadwool, round collar shirt

Waistcoat ~ Kauna XIV in black

Trousers ~ Bastard, casual baggy in steel

Cap + Hair ~ Argrace Hunting “Very short” in light brown, color-change cap

Tie ~ W Bow Tie, striped fabrics @ SL Marketplace

Boots ~ Brii, casual military boots, black

Dressed for L$1924

Resources Consulted

The Telegraph — Your Winter Wardrobe, Peaky Blinders Style

Overcoats — No, They Are Not Dusters

phunkApproximating a paletot, unbuttoned — One might possibly call this a ‘twine’ or ‘English wrap’, but it has characteristics of a British warm or greatcoat. Phunk, 10th Doctor Coat, L$125

What we really felt like discussing today is yellow shoes and pastoral dances in the park. The weather has been exceptionally clement where we are, beguiling us into believing that a discussion of springtime raiment would be perfectly appropriate. It is, however, only ten days past the ides of January. Our yellowest shoes would hardly be prudent. 

We have, instead, distracted ourselves with a sampling of overcoats. The good, old Chesterfield, the Ulster, the Guards coat and the paletot — variations on the overcoat — rule the day, and many of the coats that virtual clothiers call “dusters” are essentially one or the other of the aforementioned, even if some of the detailing is off. We are not sure what the obsession with “dusters” is among virtual tailors. Or rather, we wonder at the obsession with the name. 

A true duster, made of a linen or canvas, sometimes waxed for weatherization and suitable for sitting astride a horse while encouraging bovine companions to push it on along, is all well and good, but not every coat that falls to the knee and beyond can accurately be called a “duster.”  Certainly, a true duster is not for the carefree boulevardier as he makes his rounds from Mayfair flat, to club, to the Savoy grill for a spot of lunch, back to the club for an afternoon restorative, back to the Mayfair flat to leisurely dress for dinner and so forth and do on. A motoring duster might be called for when taking the roadster down to some aunt’s country seat for a house party, but even that is a bit old fashioned. 

coats-dz-dxduster-lgDrizabone duster from Australia

Well, never mind. All those so-called “dusters” we’ve found in world are perfectly fine overcoats approximating the variety of coats a gentleman of the first half of the 20th century might wear. We should not let a common misnomer stop us in our tracks. 

We do wonder, though, at the research virtual clothes makers put into their craft. I mean to say, it doesn’t take much poking around to learn the names of basic overcoat styles. Is it assumed that consumers are wooly-headed? I mean to say, what?

lestherandfleeceThe short “trench,” but without certain trench characteristics. The black leather on a trench-style coat is generally frowned upon, because of its associations with a certain German political movement, but this was a free hunt item, so we’ll let it pass. In this particular style with the fleece collar, the associations aren’t so strong. Overhigh, past promotional hunt item.

GabrielCoatApproximation of a British warm or “greatcoat,” unbuttoned, but vented like a paletot-sac. Gabriel @ The Men’s Dept, L$300

fatewear1The back venting of a duster, yes, but the fitted silhouette of a paletot.  FATEwear, Dante leather coat, L$300

fatewear2As above, but in fabric rather than leather. FATEwear, Fergy, L$300

A word on pricing — the Phunk coat at the top of the page is created from a rigged mesh, full permissions template, meaning the designer has only individualized this with textures. This is what we surmise from a search, in any case, and explains why we essentially see this coat over and over. That is fine, of course, because reputable resellers will provide a perfectly decent coat at a very affordable price, having saved on the labor involved in cutting the pattern themselves, as it were.

A word on those boots — The two-toned, cloth-top work boot may be a bit on the working man’s side of things, but it provides a period appropriate sturdy shoe as might be worn for country walks. It also works exceptionally well if trying to effect a working class look. We are very impressed with this shoe.

bootsHoorenbeek, Ray Ray boot, L$520


Shirt ~ Hoorenbeek, Real Shirt with colour change HUD

Tie ~ Hoorenbeek, mesh printed HUD

Waistcoat ~ Kauna XIV in Plaid Thistle

Trousers ~ Bastard, casual baggys in herringbone tweed and steel

Hat ~ Quedra HD Design, free brown mesh fedora, tinted as desired

Hat ~ Couture Chapeau “Sleuth” fedora, black

Shoes ~ Lapoint & Bastchild wingtip with single and two-tone options (includes HUD)

Resources Consulted

The Gentleman’s Gazette — The British WarmOvercoat

The Gentleman’s Gazette — The Chesterfield Overcoat

The Gentleman’s Gazette — The Guards Coat

The Gentleman’s Gazette — Overcoat, Topcoat, Greatcoat: Terminology Explained

The Gentleman’s Gazette — Paletot: The Double Breasted Overcoat

The Gentleman’s Gazette — The Ulster Overcoat